
Painting
Drift and Pull
My work begins from an acknowledgment that land is not neutral, but shaped by layered and ongoing histories. I am currently working in Toronto, on the traditional territories of the Mississaugas of the Credit, the Anishinaabe, the Chippewa, the... More
Painting
Silt and light
My work begins from an acknowledgment that land is not neutral, but shaped by layered and ongoing histories. I am currently working in Toronto, on the traditional territories of the Mississaugas of the Credit, the Anishinaabe, the Chippewa, the... More
Painting
South of 13
My work begins from an acknowledgment that land is not neutral, but shaped by layered and ongoing histories. I am currently working in Toronto, on the traditional territories of the Mississaugas of the Credit, the Anishinaabe, the Chippewa, the... More
Painting
Open and Ongoing
My work begins from an acknowledgment that land is not neutral, but shaped by layered and ongoing histories. I am currently working in Toronto, on the traditional territories of the Mississaugas of the Credit, the Anishinaabe, the Chippewa, the... More
Painting
Last Light
My work begins from an acknowledgment that land is not neutral, but shaped by layered and ongoing histories. I am currently working in Toronto, on the traditional territories of the Mississaugas of the Credit, the Anishinaabe, the Chippewa, the... More
Work by
Peyton Cote
Drawing and Painting
“My work begins from the understanding that land is shaped by layered and ongoing histories, not neutrality. Based in Toronto on the traditional territories of the Mississaugas of the Credit, the...” [More]