Artwork Collection

general artistry

explore the many facets of my intricate little world of making

Experimental Emotional Landscape Mixed Media Photography Drawing Life Love Death Existential Introspection ink pencil crayon

divider
a study of pain
a study of pain

Photography

a study of pain

film photograph

angelically deranged, endlessly happening
angelically deranged, endlessly happening

Drawing

angelically deranged, endlessly happening

The centrepiece of my thesis body "angelically deranged, endlessly happening"

axis of love
axis of love

Drawing

axis of love

the two iterations of "axis of love"

Emotional Pornography
Emotional Pornography

Mixed Media

Emotional Pornography

experimental unconscious ruminations

forever and always
forever and always

Drawing

forever and always

experimental ink drawing dealing with death, and the void

knocking on the door of death
knocking on the door of death

Mixed Media

knocking on the door of death

the finale of my thesis body

rest (lack of)
rest (lack of)

Mixed Media

rest (lack of)

experimental electrocollage diptych

seekers who are lovers
seekers who are lovers

Photography

seekers who are lovers

experimental film photography

sitting in my filth
sitting in my filth

Mixed Media

sitting in my filth

"sitting in my filth" acts as both it's own piece (a physical presence in our reality), and as an imagined reflection - meant to be installed in relation with my large drawing "angelically deranged, endlessly happening."

the fall, no burial
the fall, no burial

Drawing

the fall, no burial

ink diptych regarding death and the cruelty of life

the moment right before the merge
the moment right before the merge

Sculpture

the moment right before the merge

This piece is made in collaboration with my partner Francis Pitsadiotis.

Work by

Anthony Micallef aka. Faggotron, aka. Dazzling Ant

Experimental Art

“Existential introspection manifests itself in a myriad of forms through experimental photo and drawing based practices. From analogue photography, to digital augmentation, to the tangible traditional...” [More]