Artwork Collection

01 For Jurying Consideration

Photography existed before cameras, and it is possible to photographically print objects as long as light passes through them. I enjoy controlling light and the colour darkroom is the most amount of control I have over it. The process is completely analog and instead of films as negatives, I take things with me to the darkrooms. An enlarger is something between a microscope and a camera. This mixture allows me to look at the subject up close, and take photos using light sensitive paper.

Cameraless Photography

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Big Leaf Phytogram
Big Leaf Phytogram

Photography

Big Leaf Phytogram

This is a series of 5 phytogram prints that are a single contact print of one big leaf.

First Softground
First Softground

Print

First Softground

This was my first time experimenting with soft ground which turned out to be one of my favorite mediums.

Illuminadong Paglaho
Illuminadong Paglaho

Photography

Illuminadong Paglaho

This was the final project for an international group study to the Philippines. The trip was a huge milestone and we showed our work at Benilde College of Art and Design. It was a collaborative project with another student from Benilde, Matthew... More

In Search of True Tone
In Search of True Tone

Print

In Search of True Tone

Tone is fundamental to photography. When it comes to printing photographs, you can divide the processes into photographic and photomechanical. Photographic processes involve light, exposure, and often darkrooms, while photomechanical processes... More

Ink and Light
Ink and Light

Print

Ink and Light

For this project I wanted to explore light-sensitivity of litho plates so I did contact prints of a feather and some plants to experiment. I printed them with blue ink to imitate cyanotypes.

The First
The First

Painting

The First

This was my first approach to cameraless photography. I did hand drawn glass negative (cliche verre) and displayed the negative as the final piece.

The Moon
The Moon

Print

The Moon

I am usually a technique first type of artist and for this one I wanted to try Mezzotint. Mezzotint is one of the earliest ways of achieving tone in intaglio that is not being practiced as much due to the intense physical labour and instability of... More

Unbias
Unbias

Photography

Unbias

This exhibition piece was my final project for a group study course. I wanted to isolate objects between microscope slides and see how much I can enlarge and print them in the B&W darkroom. This project built the foundation of my GradEx work and... More

Work by

Atena Vaezian aka. V

Photography and printmaking