Artwork Collection

UPHOLSTERED PHANTASM AND THE DOMESTIC ARTIFACTS

The framed ‘transitional objects’(Winnicott,1971),the typewriter, rats nest, baseboards, vintage storybook, act as thematic signifiers that were organically scavenged for the installation. The painting acts as a tapestry of consciousness meant to resemble a domestic artifact; a personable entity in the painting's nature of accumulation. The canvas exists as a malleable domestic artifact like a bandage, blanket, or apron—one that is vulnerable with its ability to achieve damage or wear and tear.

installation documented performance multidisciplinary acrylic on raw canvas charcoal cut-outs typewriter rats nest oil stick transitional object domestic artifact

Drawing

Bubonic Inklings (how to process spirits)

paralysis in sleep (an archive of dreams).

Performance

Like Some Dumb Homosapien

The framed ‘transitional objects’(Winnicott,1971),the typewriter, rats nest, baseboards, vintage storybook, act as thematic signifiers that were organically scavenged for the installation. The painting acts as a tapestry of consciousness meant to... More

Painting

Madonna e Sacro Cuore

The notion of ‘space’ is representative of a ‘potential space’ for the paintings, drawings, objects, and performance that insinuates Melanie Klein and Donald Winnicot’s theory of a ‘potential space,’ through the context of infancy. This theory is... More

Work by

Madeline Macneil

multidisciplinary

“This accumulative series of drawings, paintings, and performance encased in a rural barn, acts as a physical platform for personable associations to materialize. The installation is a malleable safe...” [More]