Artwork Collection

All Artworks

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Best When He Does It
Best When He Does It

Painting

Best When He Does It

Best When He Does It appropriates a 1960s hair product advertisement. The work aims to explore gendered power dynamics within mass images.

Most Kissed Lips in History
Most Kissed Lips in History

Painting

Most Kissed Lips in History

A diptych exploring the connection between Marilyn Monroe and L’inconnue de la Seine. The work examines how images of women are used and exploited, even after their deaths.

On the Floor
On the Floor

Painting

On the Floor

On the Floor appropriates a 1960s advertisement for mens pants. The work explores the violence embedded within gendered mass images.

Rosie, Carol, Eleanor, etc.
Rosie, Carol, Eleanor, etc.

Painting

Rosie, Carol, Eleanor, etc.

Rosie, Carol, Eleanor, etc. appropriates a 1960s advertisement for mens pants. The work explores the violence embedded within mass images.

Self-Portrait (Jane Fonda)
Self-Portrait (Jane Fonda)

Painting

Self-Portrait (Jane Fonda)

Self-Portrait (Jane Fonda) is a painting made up of 12 reproductions of an image of Jane Fonda reclining by the poolside; with each iteration, every iteration but the previous was covered up, causing the reproductions to naturally distort from the... More

Silver Linings
Silver Linings

Video

Silver Linings

Silver Linings is an experimental short film shot on 16mm, hand developed and distressed. Touching on themes of gender, power, and the moving image, the film explores the relationship between the body and celluloid film. Through the physical... More

Tame
Tame

Painting

Tame

Tame appropriates a 1960s advertisement for a hair product. The work explores the violence and gendered stereotypes behind commercial images

The Treachery of Images (This is not a Gag)
The Treachery of Images (This is not a Gag)

Painting

The Treachery of Images (This is not a Gag)

The Treachery of Images (This is not a Gag) appropriates an 1970s advertisement selling a perfume. The work explores the violence embedded in mass images.

Work by

Olivia Bill

Multidisciplinary

“Appropriating commercial photographs from the 1950s-1970s, my work explores ideas surrounding gender, power, violence and desire. My work aims to question these highly constructed photographs,...” [More]