Artwork Collection

Handhelds

Explorations of watercolour and gouache on paper and alternate supports served as experiments in technique and preparation. The goal was to find a method of working with the two different media that would best translate how I previously worked in oils. Typically, I would create looser, more transparent backgrounds thinned significantly with mineral spirits while rendering the foreground in a denser, more opaque oil paint.

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this is reality this is the start
this is reality this is the start
Simcoe County Gothic
Simcoe County Gothic
I'll only grow Lonely when the Silence Starts
I'll only grow Lonely when the Silence Starts
take your time let the Rivers Guide You In
take your time let the Rivers Guide You In
swimming out so Far This Time
swimming out so Far This Time
sun came out, day late Though
sun came out, day late Though
for Fear of Moments Stolen
for Fear of Moments Stolen
a Means to Get Through
a Means to Get Through
scientific cryptogram
scientific cryptogram
Lit Up behind a Sunbeam
Lit Up behind a Sunbeam
Liminal Threads
Liminal Threads

Painting

Liminal Threads

Work created throughout and for the historic COVID-!9 Responsize Art course at OCAD University Fall 2020.

bring back one Last Time for the Summers We Saw
bring back one Last Time for the Summers We Saw
i like how the Forest is Leaning
i like how the Forest is Leaning
Why Did The Artist Cross The Road (christmas)
Why Did The Artist Cross The Road (christmas)
To Get To A Better Angle (thanksgiving)
To Get To A Better Angle (thanksgiving)
i can feel the Future breathing down my neck | Jackson Park; Peterborough, ON
i can feel the Future breathing down my neck | Jackson Park; Peterborough, ON

Painting

i can feel the Future breathing down my neck | Jackson Park; Peterborough, ON

An exploration of watercolour and gouache on paper, to find a method of working with the different medium that would best translate how I previously worked in oils.

Work by

Bri Vermeer

Painter and printmaker

“Bri's current work focuses on the intersections of memory, disability, family textiles, and movement through both the built and natural environment. She happily switches between the intuitive process...” [More]