“My approach involves investigating structures of lived-experience; the subtle and intimate intertwinings of the body, nature, and the world of perception. I focus on the 'how' of appearances more so than the 'what'. This means that my work is often experimental and supported by the involvement and self-reflective tendencies of the ‘viewer’ (the ‘listener’, the ’experiencer’). I also take an improvisatory approach, as I tend to prioritize the impulses to creative-act over what may be in service to a larger, predetermined idea that usually reveals itself retrospectively. I’m focused on transformative sonic/somatic practices, electroacoustic music and techniques, as well as the social change involved in inter-species well-being and the transition away from an objective-physicalistic body to a lived-experiential one. ”