Faculty of Art
Drawing and Painting
Fiona Enright
The Garden of Gethsemane (Mechanical/Digital Innocence)
Mixed Media
2021
Ink, marker, pencil crayon, and collage on paper
20 cm x 30 cm
"The existence and importance of algorithms is well-known, but how power is exerted via these sets of computational rules is under-acknowledged. Blaming algorithms for immoral happenings, or praising it for its virtue, is a common error in algorithm-related discussions. This error is perpetuated through the language that we use to describe algorithms...(we talk) about algorithms as though it is a conscious-being whose decision making is comparable to that of a human." Fiona Enright 'Section IV, Part a' The Human Element: Information, Knowledge and Art in the Digital Episteme, 2021
Work by
Fiona Enright
Drawing, collage, sculpture
“Virtually every facet of academic, professional, and personal life in modern times is affected by or contained within algorithms. Algorithms, a set of rules that dictate the form and function of...” [More]