Faculty of Art

Drawing and Painting

Fiona Enright

The Garden of Gethsemane (Mechanical/Digital Innocence)

Mixed Media
2021
Ink, marker, pencil crayon, and collage on paper
20 cm x 30 cm
"The existence and importance of algorithms is well-known, but how power is exerted via these sets of computational rules is under-acknowledged. Blaming algorithms for immoral happenings, or praising it for its virtue, is a common error in algorithm-related discussions. This error is perpetuated through the language that we use to describe algorithms...(we talk) about algorithms as though it is a conscious-being whose decision making is comparable to that of a human." Fiona Enright 'Section IV, Part a' The Human Element: Information, Knowledge and Art in the Digital Episteme, 2021

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The Garden of Gethsemane (Mechanical/Digital Innocence)
The Garden of Gethsemane (Mechanical/Digital Innocence)

Work by

Fiona Enright

Drawing, collage, sculpture

“Virtually every facet of academic, professional, and personal life in modern times is affected by or contained within algorithms. Algorithms, a set of rules that dictate the form and function of...” [More]