Faculty of Art

Sculpture/Installation

Sandy Callander

Speculative Industries

Installation
2020
Paint, adhesive vinyl, shipping pallets, pineapple, screen prints, SPF lumber, hardware
Dimensions determined by the space
Exhibition view of the body of work produced for my thesis

“Speculative Industries has to do with labour, connectivity, and forms of re-/representation under a globalised neoliberal regime. Through the use of signage, construction materials, and text, my aim has been to construct a type of logical picture as an approach to addressing the commodification of immaterial labour and the ramifications of a fully manifest corporatised culture. My interests lay somewhat in the realm of signage as a potential for undermining exquisite values: co-opting the syntax of advertising and PR as a methodology of critique. The other main area of my investigation is the transition of goods and ideas from one place to another and how they are exchanged; this is expressed through the deployment of shipping pallets as transitory platforms and through text works referencing precarity, industry, and labour.”

Share with someone

Speculative Industries
Speculative Industries
divider
2020, Speculative Industries
Abbozzo Gallery
2020, Project 31 Sculpture/Installation Award
OCAD University

Work by

Sandy Callander

Writing, Sculpture/Installation, Experimental Photography

“corrupted meditations on connectivity and spontaneous networks through structural clues and the technology of signage. I borrow syntax from forms of marketing as a critique by mimicry, highlighting...” [More]