ADOPTED
ADOPTED

Drawing

ADOPTED

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

COMFORT FOOD
COMFORT FOOD

Drawing

COMFORT FOOD

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

EVENING WINE IN THE STUDIO
EVENING WINE IN THE STUDIO

Drawing

EVENING WINE IN THE STUDIO

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

FROM HEARTBREAK CITY TO QUARANTINE
FROM HEARTBREAK CITY TO QUARANTINE

Drawing

FROM HEARTBREAK CITY TO QUARANTINE

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

GRASPING SPACES
GRASPING SPACES

Drawing

GRASPING SPACES

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

MISSING YOU
MISSING YOU

Drawing

MISSING YOU

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

NAIVE
NAIVE

Drawing

NAIVE

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

OPENING
OPENING

Drawing

OPENING

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

PACIFIERS
PACIFIERS

Drawing

PACIFIERS

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

SAFEKEEPING
SAFEKEEPING

Drawing

SAFEKEEPING

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

THE DEPRESSINGLY SWEET, FLEETING, AND TEMPORARY NATURE OF RELATIONSHIPS
THE DEPRESSINGLY SWEET, FLEETING, AND TEMPORARY NATURE OF RELATIONSHIPS

Drawing

THE DEPRESSINGLY SWEET, FLEETING, AND TEMPORARY NATURE OF RELATIONSHIPS

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

THE READING ROOM
THE READING ROOM

Drawing

THE READING ROOM

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

THERAPY
THERAPY

Drawing

THERAPY

This drawing is part of a larger collection (A PSYCHOSOCIOLOGICAL DIARY, 2019-2020).

Work by

EMILY ZOU

DRAWING, PAINTING, ILLUSTRATION

“In my thesis work, I record personal narratives and human interactions, most of which are seen through the lenses of mental illness and trauma. ”