Ane's Ribbon Bow
Ane's Ribbon Bow

Painting

Ane's Ribbon Bow

'Abundant Ingenuity’ gives nod to the proliferation of global plastic production. With 2 million metric tons produced in the 1950’s to 380 million metric tons (Mt) in 2015, there is likely to be more plastic than fish in the oceans by 2050.

Float, Fly, Flutter
Float, Fly, Flutter

Painting

Float, Fly, Flutter

Abundant Ingenuity’ gives nod to the proliferation of global plastic production. With 2 million metric tons produced in the 1950’s to 380 million metric tons (Mt) in 2015, there is likely to be more plastic than fish in the oceans by 2050.

Flutter
Flutter

Painting

Flutter

‘She’s Boss’ reflects an emotive space of frenetic and harried lines that echo feelings of uneasiness and disassociation, but also hope.

Flux
Flux

Painting

Flux

‘She’s Boss’ reflects an emotive space of frenetic and harried lines that echo feelings of uneasiness and disassociation, but also hope.

Fragment
Fragment

Painting

Fragment

‘She’s Boss’ reflects an emotive space of frenetic and harried lines that echo feelings of uneasiness and disassociation, but also hope.

If I had a ribbon bow
If I had a ribbon bow

Painting

If I had a ribbon bow

'Abundant Ingenuity’ gives nod to the proliferation of global plastic production. With 2 million metric tons produced in the 1950’s to 380 million metric tons (Mt) in 2015, there is likely to be more plastic than fish in the oceans by 2050.

Overdrive
Overdrive

Painting

Overdrive

‘Inexhaustible Want’ investigates desire and want, and the hunger we have for fast fashion. With 60% of textiles made of plastic their forever footprint is becoming our collective legacy'

Pom Prom
Pom Prom

Painting

Pom Prom

‘Inexhaustible Want’ investigates desire and want, and the hunger we have for fast fashion. With 60% of textiles made of plastic their forever footprint is becoming our collective legacy.

Remnant of Ease
Remnant of Ease

Painting

Remnant of Ease

‘She’s Boss’ reflects an emotive space of frenetic and harried lines that echo feelings of uneasiness and disassociation, but also hope.

Sash
Sash

Painting

Sash

‘Inexhaustible Want’ investigates desire and want, and the hunger we have for fast fashion. With 60% of textiles made of plastic their forever footprint is becoming our collective legacy.

Single Use
Single Use

Painting

Single Use

'Abundant Ingenuity’ gives nod to the proliferation of global plastic production. With 2 million metric tons produced in the 1950’s to 380 million metric tons (Mt) in 2015, there is likely to be more plastic than fish in the oceans by 2050.

So Bright
So Bright

Painting

So Bright

‘She’s Boss’ reflects an emotive space of frenetic and harried lines that echo feelings of uneasiness and disassociation, but also hope.

Sphere of Influence
Sphere of Influence

Painting

Sphere of Influence

'Abundant Ingenuity’ gives nod to the proliferation of global plastic production. With 2 million metric tons produced in the 1950’s to 380 million metric tons (Mt) in 2015, there is likely to be more plastic than fish in the oceans by 2050.

Torrent
Torrent

Painting

Torrent

‘She’s Boss’ reflects an emotive space of frenetic and harried lines that echo feelings of uneasiness and disassociation, but also hope.

Twisted
Twisted

Painting

Twisted

‘She’s Boss’ reflects an emotive space of frenetic and harried lines that echo feelings of uneasiness and disassociation, but also hope.

Y-Front
Y-Front

Painting

Y-Front

‘Inexhaustible Want’ investigates desire and want, and the hunger we have for fast fashion. With 60% of textiles made of plastic their forever footprint is becoming our collective legacy.

Work by

Vivian Peachey

“Branches entangled with fabric and plastic signify a climate crisis and echo feelings of despair and disassociation. The deluge paintings reflect on an issue that is numbing us and congesting our...” [More]