“My work lives in the fertile tension between spontaneity and control, structure and dissolution. Using oil and china-marker, I create enigmatic "chromatic organisms," which appear between the abstract and representational forms. These organisms respond to the forces brought about by chance, gravity, colour, and pigment. Each motif arises from a meditative ritual of layering, smudging, and erasure, reflecting the natural cycles of growth, decay, and renewal. I’m driven by a fascination with colour as a living language—each pigment a dynamic agent that bleeds, resonates, and guides the eye through a composition. When two colors collide, a third tone emerges, which prompts myself to amplify its presence or to subdue it with a gentle brushstroke. The resulting micro-interactions create visual frameworks that evoke emotional contours, such as the introspective thoughts of deep ultramarine or the optimism of yellows. By reinstating intention and allowing the materiality to act as a living language, I create environments of surprise where the paint behaves organically, inviting viewers to explore the possibilities of change.”