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PLEASE NOTE:OCAD University does not make any representations or warranties about items purchased from students, graduates, or alumni. Any transactions are executed between the Buyer and the Seller.
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PLEASE NOTE:
OCAD University does not make any representations or warranties about items purchased from students, graduates, or alumni. Any transactions are executed between the Buyer and the Seller.
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Showing results for: Natalie Wesselius
Painting
Nightmare Bouquet
by Natalie Wesselius
A dark and contrasting still life in combination with dice dots; leaving the imagination up to chance.
Painting
Pareidolia
by Natalie Wesselius
Pareidolia is a complex form of illusion where we identify patterns in spaces or compositions. This includes faces or butterflies in inkblots, or in this case figures in the dark. When looking at a chair, I feel someone sitting in it; a presence of... More
Painting
Mom's Bags and Slippers
by Natalie Wesselius
A psycho-active representation of the back kitchen door in my childhood home.
Painting
Floating By
by Natalie Wesselius
The start of representing presence of being in absence of use in human-oriented objects. The still life is a portrait of myself and the empty chair is of my disassociation from reality.
Painting
Table For No One
by Natalie Wesselius
Homage to my serving days and its unauthentic atmosphere.
Painting
Coping and Hoarding No.3
by Natalie Wesselius
Part of a triptych depicting hoarding through still life's; how the objects we collect come to represent our psychology but also stand in place for us. The bouquet is myself coping whilst the objects overwhelm with insufficiency.
Painting
Weird Nightmare
by Natalie Wesselius
Based on a nightmare of a hand pushing me down into a fisheye room resembling a windowless office. Perhaps alluding to my distaste for arbitrary authority and under-stimulating jobs. These nightmares have strong influences on me, making me question... More
Painting
Coping and Hoarding No.1
by Natalie Wesselius
Part of a triptych depicting hoarding through still life's; how the objects we collect come to represent our psychology but also stand in place for us. The bouquet is myself coping whilst the objects overwhelm with insufficiency.
Painting
Enter the Void
by Natalie Wesselius
Inspired by Francis Bacon's spaces as well as the inescapability of subjective perception of our reality. In this case, the imaginative taking hold and causing disorientation.
Painting
Hiding
by Natalie Wesselius
The beginning of understanding how objects, in this case the flowers of a still life, are like self portrait. Stripping down the body to its joints, I am highlighting the body as flesh and bones.