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Showing results for: Olivia Aguiar
One of the most difficult aspects of our existence is to make sense of it
One of the most difficult aspects of our existence is to make sense of it

Painting

One of the most difficult aspects of our existence is to make sense of it

by Olivia Aguiar

Like volcanoes, ghost nets (abandoned fishing nets) constellated throughout Sao Miguel's oceans, co-mingle forces categorically defined as oppositional (Ghost Gear Removal Competitions") (De Wolffe). In "Plastic Naturecultures," Kim De Wolffe... More

April
April

Painting

April

by Olivia Aguiar

The ghost as a simultaneous coexistence of oppositions mirrors my grandfather's embodied experience of place. My grandfather was born on an island called Sao Miguel, one of nine islands in a volcanic archipelago off the coast of Portugal. Volcanoes... More

Like a jewel thrown at a Polluted brookling
Like a jewel thrown at a Polluted brookling

Painting

Like a jewel thrown at a Polluted brookling

by Olivia Aguiar

Throughout pop culture and science fiction, the empty chair and the mirror commonly signify an absent presence. Wise tales tell stories of empty chairs appearing to be filled at night or shadows looming in mirrors. In horror movies like "The... More

At these special occasions I think life is worth living
At these special occasions I think life is worth living

Painting

At these special occasions I think life is worth living

by Olivia Aguiar

In her chapter "Tentacular Thinking" from "Staying with the Trouble," Donna Haraway conceptualizes earthly existence as multiply connected, positing that our dependence on relationships is often more apparent during times of loss (38-39). For... More

What a wonderful world it is, the world of software for computers
What a wonderful world it is, the world of software for computers

Painting

What a wonderful world it is, the world of software for computers

by Olivia Aguiar

The Microsoft Word files and photo archives I ascertained from my grandfather's floppy disks were poorly re-formatted and low quality, but informed by Hito Steryl's theoretical engagements with the digital, these accidental abstractions struck me... More