Faculty of Art

Sculpture/Installation

Farzaneh Moallef

Successive Marks

"Successive Marks" features a circular textile piece woven from repurposed linen. Positioned atop the fabric are fingers cast in plaster, some of which are broken, creating a visual contrast. These plaster fingers serve as tangible representations of human presence and experience, prompting reflection on themes of fragility and impermanence. The use of repurposed linen underscores my commitment to sustainability, while the circular shape of the textile invites viewers to contemplate the interconnectedness of all things. Overall, "Successive Marks" offers a multi-layered exploration of materiality, identity, and the passage of time, inviting viewers to engage with deeper themes of human presence and interconnectedness.

“This artwork comprises a circular textile piece woven from repurposed linen on top of which fingers cast in plaster, some of which are broken, are positioned atop the wax prints of my own fingers. The plaster fingers, both intact and broken, serve as tangible representations of human presence and experience, evoking feelings of fragility and impermanence. This juxtaposition prompts reflection on the transient nature of existence and the inevitability of change, raising questions of identity and the imprint we leave on the world around us.The use of repurposed linen underscores themes of sustainability and resourcefulness, highlighting my commitment to eco-conscious practices. The circular shape of the textile suggests a sense of wholeness and continuity, inviting viewers to contemplate the interconnectedness of all things. In summary, "Successive Marks" is a multi-layered exploration of materiality, identity, and the passage of time. Inviting contemplation on themes of sustainability, human presence, and the interconnectedness of life.”