Faculty of Art

Sculpture/Installation

Deanna Gene

Self-Inventory

In an exploration of the human quest to decipher the unknown, this work delves into the complexities of navigating cultural hybridity and identity through material artistry. As an individual often perceived as racially ambiguous, I attempt to unravel the densities of heritage and sense of belonging while also offloading the burden of having to explain my existence to others. There emerges a challenge in learning to appreciate something without the full comprehension of its makeup.In the act of crafting a singular artwork from discarded materials, this nest embodies a powerful fusion of hybridity and otherness, refusing to adhere solely to any one cultural identity but instead embracing the diverse tapestry of my heritage. Each element, sourced from varied locales, brings with it its own narrative, intertwining seamlessly into the fabric of my creation. Just as a bird meticulously gathers materials for its nest, I scavenge from my surroundings, weaving together cords infused with historical significance drawn from my cultural roots. The deliberate selection of materials underscores a commitment to environmental sustainability and social responsibility, confronting the inequities of environmental degradation.Through the creation of an enveloping structure with strategically placed portals, viewers are invited to contemplate the dualities inherent in identity and perception, challenging conventional perspectives. Édouard Glissant's theory of opacity serves as a foundational framework, emphasizing the acceptance of the incomprehensibility inherent in human existence1. It acknowledges that certain aspects of our identity and being will always remain beyond complete understanding. By disrupting traditional narratives and embracing the fluidity of identity, my art serves as a testament to the richness of multiculturalism and the interconnectedness of humanity, grappling with notions of belonging.