Faculty of Art
Drawing and Painting
Ethan Platt
Goliath
Painting
Goliath references battle scenes as canons in figurative painting to align the digital body with historical depictions of the figure, and to consider the virtual as paralell with the physical. The colours and distortions that are presented in converting a digital rendering formed of pixels into a physical oil painting crafted through pigment and human touch, further displays the themes of crossing between cyber and analogue space.
Work by
Ethan Platt
Painter
“Considering the contemporary cyber modes of existence, my paintings challenge boundaries of the physical and digital human. I utilize a hybrid approach to painting through digital simulations that...” [More]
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