cannibal (i)

Photography

cannibal (i)

Cannibal is a series of images that complicates the consumptive gaze of the viewer in encountering the Other as a subject. Using a diffusive vinyl screen to obscure and to and distort the form of the subject, the extractive methods of photography... More

cannibal (ii)

Photography

cannibal (ii)

Cannibal is a series of images that complicates the consumptive gaze of the viewer in encountering the Other as a subject. Using a diffusive vinyl screen to obscure and to and distort the form of the subject, the extractive methods of photography... More

cannibal (iii)

Photography

cannibal (iii)

Cannibal is a series of images that complicates the consumptive gaze of the viewer in encountering the Other as a subject. Using a diffusive vinyl screen to obscure and to and distort the form of the subject, the extractive methods of photography... More

cannibal (iv)

Photography

cannibal (iv)

Cannibal is a series of images that complicates the consumptive gaze of the viewer in encountering the Other as a subject. Using a diffusive vinyl screen to obscure and to and distort the form of the subject, the extractive methods of photography... More

cannibal (v)

Photography

cannibal (v)

Cannibal is a series of images that complicates the consumptive gaze of the viewer in encountering the Other as a subject. Using a diffusive vinyl screen to obscure and to and distort the form of the subject, the extractive methods of photography... More

cannibal (vi)

Photography

cannibal (vi)

Cannibal is a series of images that complicates the consumptive gaze of the viewer in encountering the Other as a subject. Using a diffusive vinyl screen to obscure and to and distort the form of the subject, the extractive methods of photography... More

cannibal (vii)

Photography

cannibal (vii)

Cannibal is a series of images that complicates the consumptive gaze of the viewer in encountering the Other as a subject. Using a diffusive vinyl screen to obscure and to and distort the form of the subject, the extractive methods of photography... More

cannibal (viii)

Photography

cannibal (viii)

Cannibal is a series of images that complicates the consumptive gaze of the viewer in encountering the Other as a subject. Using a diffusive vinyl screen to obscure and to and distort the form of the subject, the extractive methods of photography... More

crónicas peculiar de juan j. carbonero

Photography

crónicas peculiar de juan j. carbonero

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (ii)

Photography

crónicas peculiar de juan j. carbonero (ii)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (iii)

Photography

crónicas peculiar de juan j. carbonero (iii)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (iv)

Photography

crónicas peculiar de juan j. carbonero (iv)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (ix)

Photography

crónicas peculiar de juan j. carbonero (ix)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (v)

Photography

crónicas peculiar de juan j. carbonero (v)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (vi)

Photography

crónicas peculiar de juan j. carbonero (vi)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (vii)

Photography

crónicas peculiar de juan j. carbonero (vii)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (viii)

Photography

crónicas peculiar de juan j. carbonero (viii)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (x)

Photography

crónicas peculiar de juan j. carbonero (x)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (xi)

Photography

crónicas peculiar de juan j. carbonero (xi)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (xii)

Photography

crónicas peculiar de juan j. carbonero (xii)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (xiii)

Photography

crónicas peculiar de juan j. carbonero (xiii)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

crónicas peculiar de juan j. carbonero (xiv)

Photography

crónicas peculiar de juan j. carbonero (xiv)

Named after the unfinished novel by Salvadoran author Adelso Carpio, Las Crónicas Peculiar de Juan J. Carbonero describes a journey across the country of El Salvador from the perspective of a returning individual diaspora. This series explores... More

de focus (i)

Photography

de focus (i)

The first photograph created by Louis Daguerre revealed a view through a window. De Focus is a series that returns to the roots of photography as an experimental and unrefined practice. Each image is a composite made of several stacked "plates"... More

de focus (ii)

Photography

de focus (ii)

The first photograph created by Louis Daguerre revealed a view through a window. De Focus is a series that returns to the roots of photography as an experimental and unrefined practice. Each image is a composite made of several stacked "plates"... More

de focus (iii)

Photography

de focus (iii)

The first photograph created by Louis Daguerre revealed a view through a window. De Focus is a series that returns to the roots of photography as an experimental and unrefined practice. Each image is a composite made of several stacked "plates"... More

de focus (iv)

Photography

de focus (iv)

The first photograph created by Louis Daguerre revealed a view through a window. De Focus is a series that returns to the roots of photography as an experimental and unrefined practice. Each image is a composite made of several stacked "plates"... More

de focus (v)

Photography

de focus (v)

The first photograph created by Louis Daguerre revealed a view through a window. De Focus is a series that returns to the roots of photography as an experimental and unrefined practice. Each image is a composite made of several stacked "plates"... More

de focus (vi)

Photography

de focus (vi)

The first photograph created by Louis Daguerre revealed a view through a window. De Focus is a series that returns to the roots of photography as an experimental and unrefined practice. Each image is a composite made of several stacked "plates"... More

de focus (vii)

Photography

de focus (vii)

The first photograph created by Louis Daguerre revealed a view through a window. De Focus is a series that returns to the roots of photography as an experimental and unrefined practice. Each image is a composite made of several stacked "plates"... More

de focus (viii)

Photography

de focus (viii)

The first photograph created by Louis Daguerre revealed a view through a window. De Focus is a series that returns to the roots of photography as an experimental and unrefined practice. Each image is a composite made of several stacked "plates"... More

pain of old wounds (i)

Photography

pain of old wounds (i)

I have always felt uneasy about photographs that depict conflict, suffering, or struggle, a conflict compounded by the fact that there are photographs of this kind that I’m invariably drawn to – whether conceptually, technically or out of a... More

pain of old wounds (ii)

Photography

pain of old wounds (ii)

The human condition is complicated and at times brutal, and so much of photography simplifies and reduces subjects and events to consumable and legible evidence of objective record. This series of photographs is concerned with destabilizing the... More

pain of old wounds (iii)

Photography

pain of old wounds (iii)

I have always felt uneasy about photographs that depict conflict, suffering, or struggle, a conflict compounded by the fact that there are photographs of this kind that I’m invariably drawn to – whether conceptually, technically or out of a... More

pain of old wounds (iv)

Photography

pain of old wounds (iv)

I have always felt uneasy about photographs that depict conflict, suffering, or struggle, a conflict compounded by the fact that there are photographs of this kind that I’m invariably drawn to – whether conceptually, technically or out of a... More

pain of old wounds (ix)

Photography

pain of old wounds (ix)

I have always felt uneasy about photographs that depict conflict, suffering, or struggle, a conflict compounded by the fact that there are photographs of this kind that I’m invariably drawn to – whether conceptually, technically or out of a... More

pain of old wounds (v)

Photography

pain of old wounds (v)

I have always felt uneasy about photographs that depict conflict, suffering, or struggle, a conflict compounded by the fact that there are photographs of this kind that I’m invariably drawn to – whether conceptually, technically or out of a... More

pain of old wounds (vi)

Photography

pain of old wounds (vi)

I have always felt uneasy about photographs that depict conflict, suffering, or struggle, a conflict compounded by the fact that there are photographs of this kind that I’m invariably drawn to – whether conceptually, technically or out of a... More

pain of old wounds (vii)

Photography

pain of old wounds (vii)

I have always felt uneasy about photographs that depict conflict, suffering, or struggle, a conflict compounded by the fact that there are photographs of this kind that I’m invariably drawn to – whether conceptually, technically or out of a... More

pain of old wounds (viii)

Photography

pain of old wounds (viii)

I have always felt uneasy about photographs that depict conflict, suffering, or struggle, a conflict compounded by the fact that there are photographs of this kind that I’m invariably drawn to – whether conceptually, technically or out of a... More

stand in water (i)

Photography

stand in water (i)

Toronto is a network of waterways both seen and unseen. Stand in Water is a visual essay that reorients our relationships with land through the lens of water.

stand in water (ii)

Photography

stand in water (ii)

Toronto is a network of waterways both seen and unseen. Stand in Water is a visual essay that reorients our relationships with land through the lens of water.

stand in water (iii)

Photography

stand in water (iii)

Toronto is a network of waterways both seen and unseen. Stand in Water is a visual essay that reorients our relationships with land through the lens of water.

stand in water (iv)

Photography

stand in water (iv)

Toronto is a network of waterways both seen and unseen. Stand in Water is a visual essay that reorients our relationships with land through the lens of water.

stand in water (v)

Photography

stand in water (v)

Toronto is a network of waterways both seen and unseen. Stand in Water is a visual essay that reorients our relationships with land through the lens of water.

stand in water (vi)

Photography

stand in water (vi)

Toronto is a network of waterways both seen and unseen. Stand in Water is a visual essay that reorients our relationships with land through the lens of water.

Work by

José Mancía aka. Chema

Photography