Arkadaşlar İyidir (Friends are good)
Arkadaşlar İyidir (Friends are good)

Mixed Media

Arkadaşlar İyidir (Friends are good)

Arkadaşlar İyidir confronts the paradox of presence without connection. Through negative space, the work renders the feeling of being cut out of life even while surrounded by others — a hollowness that social proximity cannot fill. The image... More

Dursun Mahsun
Dursun Mahsun

Mixed Media

Dursun Mahsun

In this work, I extend the cinematic frame through oil paint while confining the character within drawn lines, emphasizing drawing as a direct trace of the artist’s hand and emotional register. This contrast allows me to explore Mahsun’s... More

Duvardaki Yazılar (Writings on the Wall)
Duvardaki Yazılar (Writings on the Wall)

Installation

Duvardaki Yazılar (Writings on the Wall)

This piece is inspired by the traditional Turkish shadow puppet play Karagöz and Hacivat, an element of Turkey’s intangible cultural heritage. Encountering it through the UNESCO listings led me to explore how an immaterial tradition could be... More

Hollow
Hollow

Painting

Hollow

In this ongoing series, The Sardonics, I merge drawing and painting to explore what lies beneath performed identity. Working intuitively, I allow gestures and materials to reveal meaning as I go. Clown figures embody emotional duality—masking inner... More

Honk
Honk

Painting

Honk

The cry of a wild goose.

Mutin
Mutin

Painting

Mutin

In every heart, a mutin dreams.

Please Laugh
Please Laugh

Painting

Please Laugh

Pretend the tears are dry, swept away by laughter’s breeze.

Rakı Masası (Rakı Table)
Rakı Masası (Rakı Table)

Installation

Rakı Masası (Rakı Table)

Rakı Table as a Heterotopia. This installation of six wooden panels explores family as a site of absence, ritual, and fractured belonging. Each panel — titled as an "act" — functions as both painting and table surface, mimicking the furniture... More

Röveşata (Somersault)
Röveşata (Somersault)

Mixed Media

Röveşata (Somersault)

Röveşata turns its focus inward, centering on the face of Mahsun at a moment of heightened emotional intensity. Drawing is used here as an act of excavation — tracing the contours of feeling that the cinematic image alone cannot contain. The... More

Work by

Ayse Ipekdokuyan

Drawing and Painting

“Questions to answer, answers to question”