Sculpture
Catch us, the foxes, the little foxes (Song of Songs 2:15)
This work is part of a series in which I use digital drawing and cutting processes to emulate traditional processes of Jewish Papercutting, a centuries-old art form. The content is drawn from Song of Songs, a biblical love poem estimated to have... More
Sculpture
Columns of Smoke, in Clouds of Myrrh and Frankincense (Song of Songs 3:6)
This work is part of a series in which I use digital drawing and cutting processes to emulate the tradition of Jewish Papercutting, a disappearing art form dating back hundreds of years. The content is drawn from Song of Songs, a biblical love poem... More
Sculpture
From the Hills of Leopards
This work is part of a series in which I use digital drawing and cutting processes to emulate the tradition of Jewish Papercutting, a disappearing art form dating back hundreds of years. The content is drawn from Song of Songs, a biblical love poem... More
Sculpture
My beloved is like a Gazelle… Gazing Through the Window, Peering Through the Lattice (Song of Songs 2:9)
This work is part of a series in which I use digital drawing and cutting processes to emulate the tradition of Jewish Papercutting, a disappearing art form dating back hundreds of years. The content is drawn from Song of Songs, a biblical love poem... More
Video
Sha’ar Asher Nisgar
This is a version of a Hebrew love song from 1000 CE called Sha’ar Asher Nisgar. I recorded and produced this rendition of it at home, sang the lyrics in Hebrew, and played and composed the piano and cello parts. The drawings of it are 3D... More
Video
Sha’ar Asher Nisgar
This is a version of a Hebrew love song from 1000 CE called Sha’ar Asher Nisgar. I recorded and produced this rendition of it at home, sang the lyrics in Hebrew, and played and composed the piano and cello parts. The drawings of it are 3D... More
Work by
Samantha Goldman aka. Sh3mona
Drawing and Painting
“My sculptural works reimagine the humble Jewish folk art of papercutting. I am seeking to preserve this vanishing tradition using contemporary materials— evoking imagery from my own Jewish upbringing...” [More]