“Through observing and translating natural beauty, I engage with painting as a way of responding to fleeting moments and their emotional resonance. My process primarily begins with the brush, allowing imagery to unfold organically rather than through predetermined structure. I work intuitively, building layers of acrylic paint to develop depth, light, and atmosphere. I am drawn to the subtle relationships between light and shadow, and I use layered colour to capture shifting tones found in nature. My work reflects a sense of awe toward natural environments, translating observed and remembered landscapes into visual forms that hold movement, stillness, and emotional intensity.Besides my painting practice, I work with sculpture and installation to expand my engagement with material and space. This allows me to consider how atmosphere and narrative can exist beyond the canvas through three dimensional forms, extending painting into immersive and tactile experiences. In addition, I develop research driven work that examines the cultural and historical impacts of colonialism on Bangladesh. Through this practice, I reflect on themes of memory, loss, and resilience, connecting personal experience with broader historical narratives and exploring how colonial histories continue to shape identity, land, and cultural memory.”